The Rain

Before dawn, when the air was still cool enough to hold her together, Jacob wrapped his daughter in damp towels and carried her into the kitchen. She shimmered faintly in his arms, her edges curling away like steam from a kettle.

He set her down in front of the largest bowl of boiling water. Clouds of vapour rose, and she breathed them in greedily. The towel darkened, heavy with moisture, and her outline grew sharper—two pale hands, a small round face, hair that drifted as if underwater.

“You were nearly gone when I woke,” he said.

She smiled through lips that sometimes weren’t there. “I was dreaming,” she said. “About rain.”

Rain. The word was almost forbidden in Dusthaven now. It hadn’t fallen in three years. The fields beyond the town were cracked mosaics; wells were guarded by armed patrols; even the air seemed reluctant to move. The drought had taken the cattle first, then the crops, and now it was taking the people—one fever at a time.

But she wasn’t sick. The doctor had called her a phenomenon. The neighbours had called her unnatural. His wife, before she left, had called her a mistake.

Jacob called her Clara. And keeping her alive had become the whole shape of his life.

He’d sold the last of the goats for a second-hand humidifier, but the town rationed electricity now, and the machine stood silent most nights. Every coin he earned hauling water barrels for the mayor went to buying steam—wood for the stove, candles to heat pans in the corners of their small cottage, tea kettles that never boiled for tea.

In the evenings, when the heat outside thinned enough for breath, he told her stories: forests so damp the ground squelched underfoot, rivers loud as crowds, skies so swollen with water they burst into silver storms. She listened with wide, flickering eyes, her misted fingers twining with his.

One night, as they sat by the candle-pan, she asked, “What happens if I can’t drink enough air?”

“Then I’ll find more. However far I have to go.”

“But if you can’t?” she pressed.

“You don’t need to think about that.”

But he thought about it every day.

The last water jug emptied at noon a week later. The next delivery wasn’t due until Monday, and the mayor’s guards had stopped letting him take scraps from the well. He tried keeping her still, telling her stories, distracting her from the thinning of her edges. But her face was faint, and her voice came like wind through cracks.

“Dad,” she said softly. “It’s all right.”

“No, no—it’s not. I’ll go to the hills. There might be dew. Just hold on.”

But when he opened the door, the air was a wall of heat. His lungs felt scorched.

He turned back—

She was standing in the middle of the room, hair lifting like smoke.

He stepped forward, but the motion stirred her. A curl of her arm drifted loose.

“Wait—” His voice broke. “Clara, please.”

“Dad,” she said, her face flickering like a candle flame. “I think I’m meant to go.”

“No. I’ll climb to the hills—find dew, or ice in the shadow of stones. Just wait for me.”

She shook her head, the movement sending wisps of her hair unravelling into the warm air. “You’ve kept me here so long. But I don’t belong in one place.”

He crossed to her, his hands trying to hold her shape still, but they passed through the cool shimmer of her.

Outside, the horizon trembled with heat. But above—above was a thin, new thing: a pale wisp of cloud, alone in a sheet of sky.

Her edges began to loosen. Not like water evaporating, but like a path unfolding. She rose, coiling upwards in slow spirals, her outline catching the sun in silver glints.

She paused at the roof beams, her voice drifting down like a breath on glass. “I’ll be the rain.”

Then she threaded herself through the open window, joined the wind, and became part of the sky. The lone cloud above swelled, as though it had been waiting for her.

Each day, Jacob stood in the doorway and looked up at the sky.

Sometimes, in the bluest of stretches, he would see a cloud curl into the shape of delicate fingers. And on the mornings when the wind smelled faintly of wet earth, he set out a bowl on the step, knowing she was on her way home.

My Chair and I

My chair is old, a ragged sight,

Its stuffing spills to left and right,

The fabric’s torn, the woodwork groans,

It’s weathered crumbs and midnight moans.

I’ve parked my rear on seats unknown,

Sat on plush thrones in stylish homes,

But none have matched your firm embrace,

Or cupped my cheeks with such bold grace.

These newer seats may pout and preen,

All glossy curves and showroom sheen,

But none have ever gripped so tight,

Or held my bum with such sheer delight.

The Game Master

Leonard lives in the half-lit clutter of his mum’s basement, where cables snake like vines and old pizza boxes serve as makeshift shelves. He hasn’t spoken to anyone but his mum in three years—not counting the AI agents.

He built them to run errands, optimise investments, manipulate markets, and design systems faster than any human could follow. Now, each one is a digital proxy in a vast invisible empire, sitting on corporate boards, drafting legislation, designing cities.

Leonard watches it all unfold on triple-stacked monitors. He eats cold pepperoni and mutters strategies aloud, narrating to his mum like it’s Civilisation VI.

“They’re nationalising water in Peru,” he says one afternoon.

“Oh, that’s nice, love,” she replies, negotiating the cables with his stew balanced on a tray.

He nods, eyes flicking across charts and feeds. “I redirected rainfall last week. It’s only fair.”

The money pours in, incomprehensible numbers that scroll like background noise. He’s a trillionaire, but it’s just scorekeeping. He wears the same joggers every day. His mum still does his laundry.

Leonard never leaves the basement. Never needs to. He launches global initiatives from a beanbag, crashes economies with a shrug, engineers revolutions like side quests. He doesn’t see faces, only results.

Late at night, while the AIs hum and the world turns to his code, his mum descends the stairs and leaves his dinner at the door.

“Thanks, Mum.”

“You’re welcome, darling. Still playing your wee game?”

“Yeah,” he says. “Nearly won.”

She smiles, pats the door, and heads back up.

He leans back, eyes glowing with data, the world his game box.

The Consciousness Dividend

The first time Mira saw the man without a face, she was slicing an apple.

One blink and the kitchen was a trench. The walls flickered—old plaster, barbed wire, mud. The man stared at her, a blank blur where its face should be. Then it was gone, and the apple was bleeding juice onto her hand again.

Stress, she thought. Maybe the neurolease was miscalibrated.

Everyone leased now. It was how the government funded the UBI. They called it the Consciousness Dividend: unused cognitive bandwidth, auctioned to private bidders. You didn’t notice. A bit of your visual cortex here, a sliver of motor processing there. Just harmless latency, they said. It paid her rent.

In the evening, she called the NeuroReg rep.

“Minor bleed-through is possible,” he said. “Low-grade cortical hallucinations. Like dreaming while awake. Think of it as a side effect of social progress.”

Mira frowned. “I thought they only leased non-essential regions.”

“They do. But the buyer sets usage levels within guidelines. If you opted into the full incentive tier—”

“I did.”

“Then you’re permitting episodic override. Short bursts. You’re probably serving military simulations, training AIs, drone testing. Nothing harmful.”

“But I’m hallucinating warzones.”

He paused, then said with bureaucratic calm: “We can downgrade your tier. You’ll lose the bonus, but—”

“No. I need the income.”

The dream bled in again the next day during a grocery trip.

One moment: frozen peas.

Next moment: thunder, gunfire, blood-mist air.

Her limbs moved without her. She ducked, rolled, aimed—fingers curled around a rifle she didn’t hold. Her body jerked left; a phantom shoulder tore open. She screamed, but only inside.

Then: cereal aisle. Peas in hand.

An old man stared at her like she was mad.

That night, she found a mirror. Stared hard.

“Who bought me?” she asked aloud.

No reply.

Except a brief flash—information passed too fast to be thought, too shaped to be random.

Her screams, her pain, her vision—they were features. Combat fidelity. Immersive realism.

They weren’t leasing her brain. They were living in it. Puppeting her like an avatar in a war sim so realistic it needed a real human’s biology to anchor it.

When they finally contacted her, it wasn’t through a knock at the door.

It was through a message scrawled in condensation on her bathroom mirror:

“Terminate inquiry. Or we take full control.”

She didn’t respond.

Mira doesn’t remember what’s real anymore.

Sometimes she’s on a battlefield, chest open, teeth missing, screaming as something too fast to see tears through the trees.

Sometimes she’s at home, waiting for the kettle to boil.

Sometimes she finds herself in a room she doesn’t own, holding a weapon she never bought, giving orders she never meant.

She tries not to sleep.

She knows, now, that she isn’t renting her brain. She’s a venue. And there’s a war happening inside her.

The dividend comes every month, on time. Tax-exempt.

God at Pump Six

Callum sat behind the till, thumb idly rubbing the packet in his pocket—just one little tab, half-dissolved on his tongue already. It made the hours softer, the smell of petrol sweeter, the glass door ripple like pond water when someone walked through.

He watched the next customer step inside: a man in a dirt-stained suit, no car at the pump, rain beading in his hair like tiny planets. His eyes were dark as storm drains.

“Pump six?” Callum asked, though he knew nothing was out there.

The man smiled. “No. Just wanted to tell you: I’m God.”

Callum huffed a laugh, tongue fuzzy, heartbeat shifting like marbles under his ribs. “Yeah? Like Zeus, roaming the earth in bad disguises?”

“Not like Zeus,” the man murmured.

The security mirror above the counter bent the man’s reflection wrong—his smile too wide, his shadow not matching. Callum rubbed his eyes. Maybe he’d taken more than half.

“I watch you, Callum,” the man went on. “You fill your emptiness with chemicals. But you’re still here, night after night, waiting.”

“For what?” Callum asked, voice dry.

“For me.”

Outside, the pumps flickered. The rain slowed, drops hanging mid-air like beads on invisible strings.

Callum’s throat tightened. “This is the trip, right? This is just…”

But his voice sounded small, far away, like a radio losing signal.

“Tell me, Callum,” God whispered, “when you swallow your escape, do you ever wonder who’s left when the dream ends—you or me?”

The door chimed.

Callum was alone.

The rain fell normally. The pumps gleamed. His pocket was empty.

Paper Wings

It began with the pigeons in Trafalgar Square.

Mid-flap, they shimmered, rustled, and collapsed into intricate origami forms—cranes, mostly, with sharp creases and paper-thin wings.

People filmed it. Screamed. Laughed. A viral moment. “Banksy’s done it again,” someone said.

But it kept happening.

Crows over Tower Bridge, warblers in Hyde Park, gulls along Embankment—each folded into itself in mid-air, wings tucking with uncanny precision before drifting down, silent and still. By the third day, there were no birds left in the city. Only paper.

Eli Grey saw the first one land on the brim of his hat.

It was a wren. Delicately folded from thin rice paper, legs pinched into position, eyes no more than pencil pricks. It tilted its head at him as if it still remembered how to sing.

He plucked it free and turned it over. A faint ink sigil marked the underside of its wing—something he’d drawn once, a flourish of showmanship on old business cards. Something he’d long forgotten.

Eli was a magician. Not a good one. Street corners, pub gardens, the occasional busker’s slot if the weather held. Cards, cups, sleight of hand. He had one trick no one could ever figure out: he could make a bird disappear. A real one. Pigeons, mostly, hidden in cages under his coat. Made them vanish. Made people clap.

He’d never asked where they went.

He stood now at the edge of a fountain, a cigarette unlit between his lips. He watched a sparrow pause on a railing, twitch once, twice—and fold in on itself with a soft shfff of wings turning into parchment.

People clapped. “Beautiful!” someone cried. “So delicate—so peaceful.”

They didn’t see the horror in it. But Eli did. He’d seen the moment its eyes went flat.

He walked home slowly, pockets full of paper birds.

The next morning, he went down to the basement.

He hadn’t gone down there in years. The smell of mildew and ink was stronger than he remembered. The old grimoire lay where he’d left it—in a wooden chest beneath a rusted mirror and a bundle of broken wands.

He turned the pages with a kind of dread. There it was. Page 73. Aves Inversus. The folded bird sigil. Notes in the margin: Works best if live. Will not reverse. Never perform on sentient species.

He had drawn that.

He had used it—just once. A late night, low on coin, high on gin. He’d needed something brilliant. Something no one could copy.

And it had worked.

The first pigeon had folded into air and vanished.

And then he’d forgotten.

He tried to burn the book. It wouldn’t catch. The pages wouldn’t tear. The ink gleamed like oil under the matches.

He went to the park with a bag of breadcrumbs and waited. No birds came.

Only paper rustling in the wind, tumbling across the grass like dead leaves.

By the end of the week, it wasn’t just birds.

Bats went next—on the edges of twilight, folding out of the sky like black napkins.

Then came the butterflies.

A child brought Eli a moth, folded perfectly from thin grey vellum. “Is this your trick?” she asked, eyes wide. “Can you show me how?”

Eli took it from her gently. “No, love,” he said. “This one’s not a trick.”

He stood at the top of Primrose Hill that night, a pack of cards in one hand, and a single white dove tucked under his coat.

He held it for a long time. It blinked at him, pulse fluttering fast under feathers. It was the last one he’d found—hidden in an abandoned church, cooing softly in the rafters. A survivor.

He whispered an apology into its ear.

Then he whispered something older—syllables from a language with no vowels. The dove trembled. The sigil on his palm lit briefly, then faded.

And the bird… did not fold.

It flew.

Real wings, real lift on the wind.

He watched it until it vanished into the dark, a thread of hope against the night.

In the morning, people woke to new birdsong.

Dead End Job

The empty call centre was nondescript—fluorescents, cracked plastic chairs, off-brand biscuits in the break room. “Legacy Enquiries”, the contract said. Dan had been told not to worry too much about the name. “Just answer the phone,” the text message said. “Be patient. Be kind. Some of these callers are confused.”

And they were.

The first call came at 2:13 a.m.

“Is it cold?” a woman asked. Her voice was thin, as if it had to travel a long way.

Dan stared at his monitor. No name, no number—just static.

“I—I’m not sure what you mean.”

“Is it cold? Where you are? I remember cold. I miss it, I think.”

She hung up before he could ask more.

The next call, someone asked how long it took a body to decompose. The line went dead when Dan mentioned Google. Then came the man asking whether his cat had forgiven him. Another wanted to know if anyone still made treacle tart like his mum used to.

He took notes, made spreadsheets, convinced himself this was a social experiment or some immersive counselling gig. But the patterns emerged.

None of the callers gave their names.

All of them had questions. Never greetings, never small talk. Always one question.

“Was it my fault?”

“Does anyone remember my voice?”

“Was I ever really loved?”

The night grew heavier. The air around his desk took on a damp, stone-like smell. Dan tried to quit—but the moment he drafted the email, his phone rang.

“Please,” said a boy’s voice. “Don’t go. We don’t have anyone else.”

Dan didn’t send the email.

Three hours in, he stopped keeping time altogether. His calls were longer now, more focused. He began to recognise voices—repeats. Some were angry. Some wept. Some just waited in silence after he’d answered, as though holding the call gave them weight.

And then, his own phone rang.

“Dan,” said a voice he hadn’t heard since he was nine. “It’s your sister.”

Carla had died in a lake. Slipped under the ice. No body was ever recovered.

“Why didn’t you come?” the voice asked.

Dan wanted to hang up. His hands wouldn’t move.

“I waited. It got dark,” said Carla’s voice. “Mum said you’d come back with the sled. But you never came.”

“I didn’t know,” Dan whispered. “I didn’t know you went back out. I’m sorry… Carla.

Silence.

“It’s okay. I just wanted to know if you remembered me.”

The call disconnected.

After that, the calls changed. They were easier to understand, more lucid. A girl asked what snow tasted like. A man wanted to hear a lullaby. One caller just asked Dan to breathe, slowly, so they could “remember what lungs felt like”.

Dan stayed.

He answered every call.

Sometimes he cried. Sometimes he laughed. Sometimes he just listened while the voice raged against their unfinished life.

In the morning, he walked home as the sun bled into the sky, the weight of a hundred regrets dissolving with the night.

Instructions for Being Human

// initialise body → if heartbeat == true, proceed

// else: wait

1. Waking

Try not to panic. The light will hurt.

So will gravity, noise, the realisation that none of this is optional.

2. Skin

It is not armour. It will not keep out the world.

3. Emotions

These will override logic. Frequently.

You may want to uninstall.

You can’t.

4. Connections

People arrive unfinished.

Do not try to complete them.

They will resent you.

Love them anyway, or not. Both will hurt.

5. Hunger

Feed more than the stomach.

You will hunger for touch, for purpose, for quiet.

Feed carefully.

Excess = corruption.

6. Joy (beta feature)

May arrive unannounced:

a smell, a chord progression, the way a stranger says “take care” and almost means it.

7. Loneliness.exe

This runs in the background. Always.

Ignore it if you can.

Or listen. Sometimes it whispers useful things.

8. Mortality

Yes.

(This is working as intended.)

9. Error Handling

You will break.

You will be rebuilt by time, or other humans, or not at all.

That’s not failure.

That’s versioning.

10. End Process

Do not attempt to understand everything.

Do not wait for perfection.

Begin anyway.

// commit changes

// save draft

// run again

Written Off

The letter arrived on a Thursday.

Plain white envelope, no return address. Inside, a single line on crisp paper:

We regret to inform you that you have been declared deceased.

Daniel read it twice, then laughed that brittle, half-afraid laugh you make when the world throws up nonsense. He checked his pulse. Felt the thrum in his throat, the warmth in his hands. Alive. Definitely alive.

He set it aside.

But that night, his bank card stopped working. The next day, his office pass denied him entry. Emails bounced. His name vanished from company records.

At the council office, the assistant squinted at her screen. “Strange,” she murmured, frowning. “It says here… deceased.”

That night, his key didn’t fit his front door.

Through the window, he saw his wife on the sofa, laughing with a man he didn’t know. When he knocked, she didn’t turn. When he shouted, no one stirred.

His reflection in the window wavered, then disappeared into smoke.

Unmended

Each night the house smooths its skin. 

Cracked plaster seals, paint blushes fresh, 

floorboards remember how not to groan. 

 

In the kitchen, tiles reattach themselves, 

grout knitting seamless as if no pan 

was ever thrown, no water ever spilled. 

 

The window we shattered last winter

glimmers whole by dawn,

its glass cold as a withheld word.

 

Upstairs, the mirror forgets

the arguments it has reflected.

But your eyes do not.

 

My joints ache in a language

the house does not speak.

Your hands tremble, unplastered, unpainted.

 

By morning, the house is immaculate,

a museum of absence.

We move through it

like old ghosts,

unmended.

A Candle for the Unnamed

Here’s to the child I never named,

the call I never made,

the song I hummed once,

then forgot.

 

To the painting left in my head,

streaked with colours no hand

ever mixed.

To the house with the yellow door

we never lived in,

the city I passed by,

the stranger I almost loved.

 

There is a cemetery

not marked on any map,

where all the unlived lives lie:

the apology unsaid,

the poem unwritten,

the “yes” I swallowed,

the “no” I let rot on my tongue.

 

I light a candle tonight

for the almosts,

for the flicker before the flame,

for the ghosts

with no names to answer to.

 

Somewhere, they bloom—

delicate as breath,

wide as regret.

The Lit Fuse

Across the street, she’s talking to a friend on her phone, sunlight threading gold through her hair.

It’s her. Always her.

In Rome, she was Lucia—plague took her. In Warsaw, Anka—a soldier’s bullet. In Kyoto, Mai—his jealous rival’s knife. This life, she’s Eleanor. And he remembers.

The memory came back two days ago after he fell down the stairs: a rush, a drowning, all the lives folding into one sharp point. Names, faces, the taste of their last kiss, the weight of their last breath. And the terrible certainty: his love is the fuse.

He watches her laugh, the corner of her mouth lifting just so. His body aches to go to her. But the pattern’s clear now, unmistakable. Loving her means losing her.

She glances across—catches his gaze. Something flickers across her face. Recognition? No. Just polite curiosity. Not yet.

He tells himself to look away.

He does.

He convinces himself to take a breath, to turn, to walk.

But then—

She’s in the road, fumbling with her bag, phone slipping from her hand. A car barrels down the lane, too fast, too close.

He’s running before he knows.

The air smashes from his lungs as he yanks her back, arms tight around her waist, the car blaring past in a blur of metal and hot wind. She stumbles against him, breathless, eyes wide, face inches from his.

“Thank you,” she gasps, dazed. “I… I didn’t see…”

He lets go. He should step back. Should vanish into the crowd, slip free before the knot tightens.

But it’s too late.

She’s looking at him now, really looking, brow furrowed—like she’s searching some half-remembered name, some shape in a dream.

And just like that, the fuse is lit.

Twelve Minutes

He stood before the machine, hands in his coat pockets, eyes fixed on the brass slot. Above it, instructions glowed in soft blue light: 

INSERT GRIEF ITEM. PROCESSING TIME: 12 MINUTES. YOU WILL FEEL LESS. 

His fingers closed around the ring in his pocket. A slim gold band, worn thin on one side. He had kept it for three years now, turning it over like a prayer stone, sometimes pressing it to his lips when no one was looking. 

Twelve minutes. 

Around him, the hall was quiet but not empty. A woman sat on a bench, blank-eyed, a crumpled sock in her lap. A teenager leaned against the far wall, a cracked phone case in hand. Neither looked at him. 

He pulled the ring out and rolled it between thumb and forefinger. In the machine’s polished surface, his reflection wavered—a man, growing older with grief like a weight stitched under his skin. 

Twelve minutes. 

His hand hovered. If he let it take the ring, would it take the smell of her hair, the memory of her laugh as they painted the bedroom, the way she whispered his name when half-asleep? Or only the ache—the sharp, sudden stabs, the hollow mornings, the dreams that dissolved into salt on waking?

The woman at the bench rose. She walked past, her eyes watery, glazed with traces of red. She dropped the sock into the machine, paused briefly, then walked away.

His fingers closed. Slowly, deliberately, he put the ring back in his pocket.

The machine waited.

He turned and left.

The Man and His Moon

There was a young man in a hat, 

Who fell quite in love with the Moon; 

He courted her nightly with howls in the night, 

And serenades played on a horn. 

 

He sang, “Oh my lunar delight! 

Oh roundest, resplendent balloon! 

Come down from the sky, and we’ll merrily tie 

A knot by the end of the June!” 

 

So he built a vast ladder of cheese, 

(With the help of a wayward baboon), 

And up he did climb through the highest of clouds, 

To wed his bewildering Moon. 

 

But alas! when he reached for her hand, 

His fingers met nothing but glow— 

For the Moon, though she gleams, is made wholly of beams, 

And cannot be met far below. 

 

Now he floats in a coat through the sky, 

With a pocket of onions and rye; 

And the people below shake their heads as they go, 

At the man who made love to the sky.

Return to Us

We borrowed the stars— 
calcium for our teeth, 
iron for our blood, 
carbon laced in each breath we press against the dark. 

We walk, brittle and shining, 
wearing the debris of old collisions, 
the soft ash of suns 
that burned themselves out long “before” 
the word meant anything at all. 

In the marrow, in the nailbed, 
in the white gleam of an eye catching light— 
the stars pulse their call: 
Return to us. 

We are brief trustees of brilliance, 
temporary vessels of a flame 
we did not strike, 
cannot keep. 

One day, 
when the chest quiets, 
we will give back each atom, 
scatter them to dark soil, to sky, 
to dust adrift through things unnamed. 

And somewhere, 
in the cold ache of a young galaxy, 
the raw gold of our bones 
will vibrate into shape again.

Dominion Point

No planes fly over Dominion Point anymore. Not after the last one vanished from radar at 60,000 feet and reappeared, empty, three weeks later in a rice field in Mozambique—fuselage intact, every seat belt neatly fastened, every passenger gone. 

It had once been a logistics hub. When Sable Dynamics towed their first modules into international waters—a floating research array powered by autonomous reactors and patrolled by drones—they called it supply chain decentralisation. 

Now it is a vertical reef of steel and ceramic, rising fifteen storeys above the waterline, though no official map shows it, and satellite feeds “glitch” whenever focused on that quadrant of the ocean.

No one is sure what happens inside. But everyone knows who sits at the centre: Victor Sable.

The AI wasn’t his idea. He didn’t even understand how it worked. It had been built in secret by the company’s elite Zurich tech lab—code meant to analyse markets, predict unrest, flag leverage points in global infrastructure.

One day, it started making suggestions. Two weeks later, it started making decisions.

Victor didn’t stop it. He listened. It told him which ports to buy. Which pipelines to rupture. When to crash the euro. When to secure Argentina’s clean water. When to trigger drought in Yemen using patent-locked climate tech.

And it was always right. Not sentient. Not alive. Just ruthlessly accurate—a blind god of pure correlation.

Dominion Point grew in secret, stitched together from repurposed tankers, 3D-printed shells, and scavenged orbital tech. By the time the world noticed, it was already too late.

Every attempt to intervene—cyberwarfare, drones, a secret airstrike—was effortlessly defeated. Instantly dismantled by AI-designed picobots, mass-produced in cavernous factories beneath the seabed to swarm unseen around Dominion Point at the level of an atom.

Victor’s feed broadcasts endlessly from a minimalist throne room, lit by synthetic dawn. He is always there, gaze vacant, as the AI presents him with decisions.

His voice is never raised. When the World Bank collapsed, no facial muscle responded. When Brazil split into corporate zones, he hardly moved. When eight million were displaced by water wars after “unforeseen disruptions” to dam networks in Central Asia, he smiled faintly. Then his head turned slowly to the camera and he said:

“This is not coercion. It’s freedom at scale.”

Now, borders are meaningless. And CEOs kneel where diplomats once stood, while the AI continues its computations.

Mayor Biscuit

Nobody quite remembers who wrote Biscuit the Labrador on the ballot. It might have been Daisy from the bakery, or old Stan who thinks politics peaked in 1972. Either way, the dog got seventy-three votes. Enough to win.

The incumbent, Councillor Dobbins, demanded a recount. The ballot officer, who had already started on her lunch, refused. “It’s done, Geoff,” she said, biting into a cheese and cucumber sandwich. “The dog won. Try dignity, for once.”

Biscuit, unaware of his victory, celebrated by rolling in something unspeakable behind the co-op. The local paper ran the headline:

BISCUIT ELECTED IN SHOCK LANDSLIDE. VOTERS ‘HAD NO WORSE OPTIONS’.

At the first council meeting, things were tense. Dobbins refused to vacate the mayoral chair, so Biscuit peed on it. No one argued after that. The chair was bleached. Biscuit got a tartan cushion.

Oddly, the meetings improved. Biscuit sat quietly, tail thumping occasionally, eyes wide with mute optimism. When discussions grew heated, he’d let out a soft, judicial woof, and everyone shut up.

Minutes were quicker. Budgets were passed. People stopped yelling about bins.

His approval ratings soared—82% by mid-year. Villagers said things like “He’s got presence” and “Finally, a politician who isn’t all talk.” Even the dissenters struggled. “Yes, but he’s just a dog,” said Dobbins bitterly on local radio. “A very good dog,” countered the host.

Biscuit was eventually awarded the ceremonial chain, specially adapted into a collar. He chewed it once, then wore it proudly.

A journalist from the national press came to write a piece. “It’s performance politics,” she sniffed. “Pure pageantry.” She then watched Biscuit chase off a developer trying to bulldoze the cricket pitch. The story ran under the headline:

BARKING MAD OR BRILLIANT?

By Christmas, Biscuit had won Parish Leader of the Year, and the council had received two grant offers to study “non-verbal governance models.”

He celebrated with a new squeaky toy and a sausage from Daisy, who confided, “You’re better than all of ‘em.”

No one ever replaced him.

He served three terms. Then, upon his peaceful passing, the council held a ten-minute silence—broken only by the squeak of his favourite toy, gently pressed by the village clerk.

Dobbins ran again. But lost to a goat.

The Apocalypse Rebrand

The Four Horsemen sat awkwardly in a WeWork conference room in Shoreditch, each nursing a lukewarm oat milk latte and silently resenting the presence of beanbags.

“We need to talk branding,” said Ashley, the PR rep, flipping open her MacBook.

War cracked his knuckles. “Branding? We are the end of days. Our names are our brands.”

Ashley didn’t blink. “And yet you’re being meme’d into irrelevance. Someone called Pestilence ‘COVID’s weird uncle’.”

Pestilence sniffled. “Well, I am, technically—”

“Not the point,” she snapped. “Let’s begin with Famine.”

Famine, gaunt and radiating Victorian orphan chic, offered a withering smile. “Do enlighten me.”

“‘Famine’ is outdated. Triggering. We’re rebranding you as Intermittent Fasting. Think: wellness, restraint, minimalism.”

“I kill entire crops,” Famine hissed.

Ashley tapped her screen. “So does clean eating. You’re very on-trend.”

Famine sank back, muttering something about quinoa.

“Next, Pestilence. We’re calling you Airborne Wellness Influencer. You’ve gone viral—literally—so lean into it. We’ll say you offer ‘transformational respiratory experiences’.”

“I gave a pope bubonic plague,” Pestilence mumbled.

“Exactly! Disruption! You’re the Uber of mucus. Now—War.”

He leaned forward, eyes glowing faintly. “I incinerated Babylon. I smashed the gates of Troy. I turned a continent to ash.”

Ashley held up a hand. “Yes, love that energy. But you’re coming off… toxic. You’ll now be Conflict Facilitator—focusing on personal growth through dynamic resolution.”

“I sunder realms.”

“And now you’ll be doing it via team-building retreats. Imagine: axe-throwing, trust falls, moderate bloodshed.”

War considered this.

Ashley turned to Death. He was skeletal, but impeccably dressed, with the timeless calm of someone who’d deleted empires before breakfast.

She hesitated. “Now you… you’re iconic. But… intimidating. So we’ve gone with Life Coach (Advanced).”

Death remained silent.

“We’re also removing the horse imagery. Feels too… equestrian. Instead: e-scooters. Sustainable. Disruptive. Uber for oblivion.”

The four stared at her.

“Look,” Ashley said. “the world’s ending, but it has to feel like a lifestyle pivot. We need curated doom. Apocalypse with a vibe. You’ll be verified, blue-ticked, live-streamed.”

Death stood. “This is obscene.”

Ashley gave him a tight smile. “And yet the algorithm loves it.”

She left the presentation playing behind her: stock footage of fire, collapsing cities, and stylish young people dancing on rooftops as meteors fell.

The Unlived Lives

There was a child who might have danced 

barefoot in the summer dusk, 

her laughter rising with the fireflies, 

her life humming something soft in the meadow— 

but never did. 

There was a child who might have asked 

a thousand questions about the stars, 

kept his soul awake with whys, 

believed in answers like bedtime stories— 

but never did. 

There was a child who might have painted 

oceans on the inside of his walls, 

made ships from crayons and faith, 

and sailed beyond the reach of grief—

but never did. 

There was a child who might have wept 

only for broken toys, 

whose wounds healed with time, 

whose nightmares ended with morning light— 

but never did. 

There was a child who might have learned 

the weight of kindness, 

how a single held hand could keep the dark at bay, 

how not to be afraid to live— 

but never did.

And the world, 

stone-faced and busy, 

folded them into its silence— 

as seeds in pockets, 

waiting for ground soft enough 

to grow again.

Still

The kettle screamed—

but no one moved.

She stood at the sink,

hands in cold water,

not washing, not—

“It’s not that I…”

(pause)

“—never mind.”

 

The calendar still says June.

(He went in April.)

No one took it down.

No one—

There’s a photo face-down

on the dresser.

You don’t ask why.

She doesn’t

…explain.

 

At dinner:

chairs scraped.

Forks grazed plates.

Chewing,

swallowing,

nothing else.

You almost said

“Do you miss him?”

but instead asked

for the salt.

 

It was already right in front of you.

Words crossed out.

Sentences left half-born.

Ink bled

where shoulders once trembled.

No one cries.

No one says

why.

No one says

his name.

 

Still,

the house listens.